The Poster as an instrument to generate awareness

Authors

  • Manuel de la Cera Alonso y Parada Departamento de Evaluación del Diseño en el Tiempo, División de Ciencias y Artes para el Diseño, Unidad Azcapotzalco, Ciudad de México, México https://orcid.org/0000-0002-8175-0473

DOI:

https://doi.org/10.24275/KUEX3381

Keywords:

sign , instrument , awareness , review

Abstract

Nature tends to disturb the daily life of human beings with relative frequency and intense abruptness. No one can predict when an accident will occur that will radically and relentlessly alter the environment in which we live. Of course, no person wants to experience a disaster whose consequences would become so serious that they could eventually suddenly and abruptly change the integrity of our lives, our private assets or those of our collective heritage, if they were not lethal...

Author Biography

Manuel de la Cera Alonso y Parada, Departamento de Evaluación del Diseño en el Tiempo, División de Ciencias y Artes para el Diseño, Unidad Azcapotzalco, Ciudad de México, México

Professor Manuel de la Cera Alonso y Parada was born in Mexico City in 1961. He is a graphic communication designer, graduated from the Universidad Autónoma Metropolitana Unidad Azcapotzalco. He completed postgraduate studies at the Academia de San Carlos in a master's degree in Visual Arts with a focus on painting, although it should be noted that he did not obtain the corresponding degree. He is currently a full-time professor-researcher at the UAM, attached to the Department of Evaluation of Design in Time in the Semiotics area. He has written numerous specialized texts on MMI: Design Time. As well as in various publications edited by the Design Over Time Evaluation Department.

Published

2018-10-25 — Updated on 2013-12-01

Versions

How to Cite

Alonso y Parada, M. de la C. (2013). The Poster as an instrument to generate awareness. ANUARIO DE ESPACIOS URBANOS, HISTORIA, CULTURA Y DISEÑO, (20), 273–278. https://doi.org/10.24275/KUEX3381 (Original work published October 25, 2018)

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